The making of a microtrend

It’s official: We are currently in the midst of “tomato girl summer.” If you haven’t heard, the trend is inspired by the colorful pomodoro-laden dishes of the Mediterranean coast, centers on a palette of red and neutral colors—and already has 42 million views on TikTok. Accordingly, product roundups from publications like Vogue have sprung up to help fans shop the look for their spaces with a variety of garden- and tomato-scented candles and home sprays.

How this startup saved $19 million worth of furnishings from the landfill

When a building is demolished or a company decides to downsize, the issue of where all the extra stuff inside will go—the furniture, office equipment, decor and artwork—is often swept to the side. The problem of redirecting used items is not one that many companies choose to focus on, and for that reason, it’s become enormous: an estimated $600 billion in surplus assets sit idle in American companies today.

How to scale when ‘curated’ is your concept

For a recent crop of popular direct-to-consumer home brands, the axiom “Quality over quantity” has taken on new meaning—not just sage shopping advice, but a raison d’être. By focusing on a highly curated assortment of products, such companies marketed their goods as the answer to decision fatigue among consumers overwhelmed by a saturated home market in categories from upholstery to paint to kitchen essentials.

Do NFTs have a place in the home?

NFTs are increasingly making their way into the home world, with marketplaces like 1stDibs hosting auctions for the digital assets and manufacturers such as Nathan Anthony debuting cryptocurrency-inspired furniture collections at this year’s Spring High Point Market. When it comes to interiors, however, the increased attention around digital artwork raises the question of whether virtual possessions are actually making their way into homes—and if so, how exactly does that work?

Colorado Theater Groups Continue to Perform in Extraordinary Settings

Amanda Berg Wilson admits there were some logistical challenges involved in staging a full-length play on a golf course. Some surprise elements were pleasant, like residents living on the outskirts of the course joining in for a nightly call-and-response section written into the script. Others were less so, such as cast members having to take turns serving as “coyote babysitters” on the lookout for a roving local pack.
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